THE BANKERS WIFE- CHRISTINA ALGER (PUTNAM BOOKS)-On an early morning in November, a couple boards a private plane bound for Geneva, flying into a storm. Soon after, it simply drops off the radar, and its wreckage is later uncovered in the Alps. Among the disappeared is Matthew Lerner, a banking insider at Swiss United, a powerful offshore bank. His young widow, Annabel, is left grappling with the secrets he left behind, including an encrypted laptop and a shady client list. As she begins a desperate search for answers, she determines that Matthew’s death was no accident, and that she is now in the crosshairs of his powerful enemies.
Meanwhile, ambitious society journalist Marina Tourneau has finally landed at the top. Now that she’s engaged to Grant Ellis, she will stop writing about powerful families and finally be a part of one. Her entry into the upper echelons of New York’s social scene is more appealing than any article could ever be, but, after the death of her mentor, she agrees to dig into one more story. While looking into Swiss United, Marina uncovers information that implicates some of the most powerful men in the financial world, including some who are too close to home. The story could also be the answer to Annabel’s heartbreaking search—if Marina chooses to publish it
IT ALL FALLS DOWN, BY SHEENA KAMAL (WILLIAM MORROW BOOKS)- The brilliant, fearless, deeply flawed Nora Watts—introduced in the “utterly compelling” (Jeffery Deaver) atmospheric thriller The Lost Ones—finds deadly trouble as she searches for the truth about her late father in this immersive thriller that moves from the hazy Canadian Pacific Northwest to the gritty, hollowed streets of Detroit.
Growing up, Nora Watts only knew one parent—her father. When he killed himself, she denied her grief and carried on with her life. Then a chance encounter with a veteran who knew him raises disturbing questions Nora can’t ignore—and dark emotions she can’t control. To make her peace with the past, she has to confront it.
Finding the truth about her father’s life and his violent death takes her from Vancouver to Detroit where Sam Watts grew up, far away from his people and the place of his birth. Thanks to a disastrous government policy starting in the 1950s, thousands of Canadian native children like Sam were adopted by American families. In the Motor City, Nora discovers that the circumstances surrounding Sam’s suicide are more unsettling than she’d imagined.
Yet no matter how far away Nora gets from Vancouver, she can’t shake trouble. Back in the Pacific Northwest, former police detective turned private investigator Jon Brazuca is looking into the overdose death of a billionaire’s mistress. His search uncovers a ruthless opiate ring and a startling connection to Nora, the infuriatingly distant woman he’d once tried to befriend. He has no way to warn or protect her, because she’s become a ghost, vanishing completely off the grid.
Focused on the mysterious events of her father’s past and the clues they provide to her own fractured identity and that of her estranged daughter, Nora may not be able to see the danger heading her way until it’s too late. But it’s not her father’s old ties that could get her killed—it’s her own.
THIS BODY’S NOT BIG ENOUGH FOR THE BOTH OF US, BY EDGAR CANTERO (DOUBLE DAY BOOKS)- From the New York Times bestselling author of Meddling Kidscomes a brilliantly subversive and comic thriller celebrating noir detectives, Die Hard, Fast & Furious, and the worst case of sibling rivalry.
In a dingy office in Fisherman’s Wharf, the glass panel in the door bears the names of A. Kimrean and Z. Kimrean. Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He’s pure misanthropic logic, she’s wild hedonistic creativity. A.Z. have been locked in mortal battle since they were in utero…which is tricky because they, very literally, share one single body. That’s right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot–and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale–in the book is pure Cantero magic.
Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California–San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon’s inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They’ll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don’t kill each other (themselves) first.
This Body’s Not Big Enough for Both of Us is a mind-blowing, gender-bending, genre-smashing romp through the entire pantheon of action and noir. It is also a bold, tautly crafted novel about family, being weird, and claiming your place in your own crazy story, that can only come from the mind of Edgar Cantero
FRUIT OF THE DRUNKEN TREE, BY INGRID ROJAS CONRERAS (DOUBLE DAY BOOKS)- In the vein of Isabel Allende and Gabriel Garcia Marquez, a mesmerizing debut set against the backdrop of the devastating violence of 1990’s Colombia about a sheltered young girl and a teenage maid who strike an unlikely friendship that threatens to undo them both
The Santiago family lives in a gated community in Bogotá, safe from the political upheaval terrorizing the country. Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to this protective bubble, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.
When their mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied slum, Chula makes it her mission to understand Petrona’s mysterious ways. But Petrona’s unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal.
Inspired by the author’s own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation
SHE WAS THE QUIET ONE, BY MICHELLE CAMPBELL (ST. MARTINS PRESS)- When twin sisters Rose and Bel Enright enroll in The Odell School, a prestigious New Hampshire boarding school, it seems like the opportunity of a lifetime. But the sisters could not be more different. The school brings out a rivalry between them that few ever knew existed. And the school itself has a dark underbelly: of privileged kids running unchecked and uninhibited; of rituals and traditions that are more sinister than they seem; of wealth and entitlement that can only lead to disaster.
For Sarah Donovan, wife of an ambitious teacher who is determined to rise through the ranks, Odell also seems like the best thing that could happen to their small family. But how well does she really know her husband? What lengths will he go to to achieve his goals? And when one dark night ends in murder, who is guilty, who knows the truth, and who has been in on it all along? SHE WAS THE QUIET ONE. Because murderers are almost never who you expect.
THE DYING LIGHT, BY ROBERT GOOLRICK (HARPER BOOKS)- From the author of the bestselling A Reliable Wife comes a dramatic, passionate tale of a glamorous Southern debutante who marries for money and ultimately suffers for love—a southern gothic as written by Dominick Dunne.
It begins with a house and ends in ashes . . .
Diana Cooke was “born with the century” and came of age just after World War I. The daughter of Virginia gentry, she knew early that her parents had only one asset, besides her famous beauty: their stately house, Saratoga, the largest in the commonwealth, which has hosted the crème of society and Hollywood royalty. Though they are land-rich, the Cookes do not have the means to sustain the estate. Without a wealthy husband, Diana will lose the mansion that has been the heart and soul of her family for five generations.
The mysterious Captain Copperton is an outsider with no bloodline but plenty of cash. Seeing the ravishing nineteen-year-old Diana for the first time, he’s determined to have her. Diana knows that marrying him would make the Cookes solvent and ensure that Saratoga will always be theirs. Yet Copperton is cruel as well as vulgar; while she admires his money, she cannot abide him. Carrying the weight of Saratoga and generations of Cookes on her shoulders, she ultimately succumbs to duty, sacrificing everything, including love.
Luckily for Diana, fate intervenes. Her union with Copperton is brief and gives her a son she adores. But when her handsome, charming Ashton, now grown, returns to Saratoga with his college roommate, the real scandal and tragedy begins.
Reveling in the secrets, mores, and society of twentieth-century genteel Southern life, The Dying of the Light is a romance, a melodrama, and a cautionary tale told with the grandeur and sweep of an epic Hollywood classic.
EAGLE AND CRANE, BY SUZANNE RINDELL (PUTNAM BOOKS)- Two young daredevil flyers confront ugly truths and family secrets during the U.S. internment of Japanese citizens during World War II, from the author of The Other Typist and Three-Martini Lunch.
Louis Thorn and Haruto “Harry” Yamada — Eagle and Crane — are the star attractions of Earl Shaw’s Flying Circus, a daredevil (and not exactly legal) flying act that traverses Depression-era California. The young men have a complicated relationship, thanks to the Thorn family’s belief that the Yamadas — Japanese immigrants — stole land that should have stayed in the Thorn family.
When Louis and Harry become aerial stuntmen, performing death-defying tricks high above audiences, they’re both drawn to Shaw’s smart and appealing stepdaughter, Ava Brooks. When the Japanese bomb Pearl Harbor and one of Shaw’s planes mysteriously crashes and two charred bodies are discovered in it, authorities conclude that the victims were Harry and his father, Kenichi, who had escaped from a Japanese internment camp they had been sent to by the federal government. To the local sheriff, the situation is open and shut. But to the lone FBI agent assigned to the case, the details don’t add up.
Thus begins an investigation into what really happened to cause the plane crash, who was in the plane when it fell from the sky, and why no one involved seems willing to tell the truth. By turns an absorbing mystery and a fascinating exploration of race, family and loyalty, Eagle and Crane is that rare novel that tells a gripping story as it explores a terrible era of American history.
THE INTERMISSION, BY ELYSSA FRIEDLAND (BERKLEY PUB)- Have you ever had a secret so gut-wrenching you couldn’t share it with anyone, not even the person who shares your bed? Told from the alternating perspectives of a husband and wife who both have something to hide, this incisive novel pulls back the curtain on a seemingly-happy marriage, posing the question: how much do we really know–and how much should we want to know–about the people we love the most?
After six years of marriage, the unshakeable confidence Cass felt on her wedding day is decidedly gone. Jonathan, on the other hand, is still smitten with Cass. It’s true that the personality quirks he once found charming in his wife–her complexity, her high standards, her refusal to clean the dishes–are beginning to grate. But for him, these are minor challenges in an otherwise healthy relationship. So it comes as a complete shock to Jonathan when Cass suddenly requests a marital ‘intermission’: a six-month separation during which they’ll figure out if the comfortable life they’ve built together is, in fact, the one they both want.
After Cass and Jonathan devise an absurd and jet lag-inducing plan to swap custody of their beloved dog every thirty days, they decide that (aside from their monthly canine exchange) the intermission will be a time for self-reflection–and not a time for talking. But, as the months pass, Cass and Jonathan begin to see that the very worst of their problems are rooted in just these kinds of calculated silences–and in a delicate web of blistering secrets they may never be ready to share
THE LAST TIME I LIED, BY RILEY SAGER (DUTTON BOOKS) –Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she–or anyone–saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.
Now a rising star in the New York art scene, Emma turns her past into paintings–massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.
Yet it’s immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp’s twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present.
And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.